William Gibson longs for eBay 1.0

Quoted in full from his blog:

eBay is apparently doing everything it can to discourage the kind of
auction-based digital flea market it so gloriously was in its
beginning. It's becoming increasingly difficult to use, that way, and
many buyers and sellers of wondrous fifth-hand hyper-specialist gomi
are getting very discouraged. A market is being created, thereby, for a
purpose-built all-gomi auction site, optimized for people who want
(nay, need) to buy and sell, say, anonymously designed 20th-century
American workwear, one piece at a time. Or, really, whatever. Used.
Gomi. Junk. Clinically otaku-searchable, no fuzzy logic messing with
your carefully refined strings. Micro-transactions. For dropshipping of
boring new merch, there'll always be eBay.

The business model, basically, would be what eBay was about eight years ago.

I know some former eBay folks feel the same way. Think he'd fund a startup?

Lord of the Rings

Lotr
I'm reading The Lord of the Rings again.

I've read it many, many times. This probably isn't surprising. I first read The Hobbit at a very young age, but The Lord of the Rings wasn't in the kids section, and it was intimidatingly long, even for me. But when I was a little older — I think 10 — we traveled to Scotland, where my mother grew up. On the way, we visited my mother's cousin Nigel, who (reading my semi-formed taste astutely) strongly recommended two works to me: LOTR and The Hitchhiker's Guide to the Galaxy. Both got their hooks into me good and hard, both get read over and over again and always will, but while Hitchhikers led fairly directly to my first Real Date With A Girl in high school, LOTR has occupied my mind more fully over the years than any other book.

I didn't have a chance to buy the books until we got to Edinburgh. Both were purchased, as far as I can remember, at the John Menzies on Princes Street, near the Scott Monument. It didn't escape my 10-year old self that the Victorian Gothic spire, stained black from years of coal soot, looked more than a little like Robert Garland's painting of Barad-Dur on the cover of my one-volume Unicorn edition of LOTR.

I read great chunks of it all the way across Scotland.I don't remember much about how I read it then, except that I enjoyed the prologue, skipped the songs and poetry, didn't really notice the appendix, but was entranced by the maps. I think most 10-year-olds are miniature cartographers at heart. I know that the transition from the early chapters, so like The Hobbit, and the epic later chapters, was intense. I know I bogged down in the Frodo/Sam/Gollum chapters of The Two Towers — so much so that I lost our car keys in them, triggering a frantic attempt to find an open locksmith in the small Scottish coastal village of my ancestors. I'm pretty sure Tom Bombadil confused me, but that's true for most everyone.

I've read it again and again over that last 20-odd years. At least once every two years, sometimes once a year. Mostly that old Unicorn edition, due to affection and the ease of flipping back and forth in a single volume. I did read the three-volume set at the library a few times, mostly because of the superior maps. My favorite edition, the 50th Anniversary edition with the Alan Lee plates, I don't even own. (As far as I'm concerned, the holy trinity of LOTR artists are Lee, representing the modern era, Garland in the middle, and the old Barbara Remington covers as the classic era.)

As I've read and read again, the scope has increased. The poems and songs get read. The Silmarillion gets (slowly at first) absorbed. The historical appendices, which contain what are now some of my favorite stories. I picked up an encyclopedia, and the first Book of Lost Tales. At this point I even go over the linguistic history, though the languages themselves aren't yet compelling. There's no real end to this, that's part of the pleasure — Tolkien's creation (and his son's collection and arrangement of it) are vast enough, and the world of Tolkien scholarship is probably larger than any other genre creator, with only the Sherlock Holmes folks coming close. I'll ignore the movies and games, not because they're unimportant to me, but because they represent something totally different.

And then, the internet. LOTR fanatics and the net have always been a comfortable match, for obvious reasons, but the resources available now are amazing. The LOTR wikipedia entries are a match in size and complexity for a small nation, and the more individual Encyclopedia of Arda can supplement where terse wiki-knowledge leaves off.

The real find for me, though, is Kate Nepveu's ongoing re-read at Tor.com. It's a slow, chapter-by-chapter re-read of the whole book. Her essays are lovely — she's the perfect critic, someone who is knowledgeable but not expert (allowing her to be surprised at some turns of the narrative), and affectionate but not worshipfull. She's also been drawing in some of the more important works of criticism into hers, leading to (for example) a discussion of LOTR and Augustine. The very best part of these essays, though, are the comments — the commentors are civil, literate, and an interesting mixture of relatively naive readers and those with vast expertise. I'm a geek, but I'm also a former literature major, and it's fascinating to read other folks who can deal with the text seriously, as a fantasy work and on it's own terms, but also draw back and look at it as a work of literature. They've just about finished with the first half of the first book, so there's plenty of time to join in.

I'm doing the re-reading with my old Unicorn copy, but I suspect this is the last time for it. It's stood up bravely to two decades of abuse, but I think it's hit the limit. It will get retired to the top shelf of a bookcase, and maybe I'll grab one of the Alan Lee editions to take the hit for the next few decades.

The feeds! The feeds!

I mentioned in Decluttering my digital inboxes that I'd been pruning my feed reader. The ones I removed were either defunct, not as interesting as they used to be, or interesting but wrongly paced (IO9 for instance is a great way to keep up on the trashy side of science-fiction media — if you can cope with 20 posts a day. I can't.)

Poking through the list of blogs I read regularly did let me figure out which I really like, at least by one measure — the ones where I pinned hundreds of articles to read for later in 2008. Usually these have a common mood rather than a narrow subject, and a pretty eclectic range of links.

My (Roughly) Top 5 Blogs

  1. Coilhouse "A love letter to alternative culture" — Coilhouse is for people who miss Mondo 2000 and think that goth is not quite dead yet. What's startling about Coilhouse is how easily it could be crappy and how not-crappy they mostly manage to be. The trick seems to be to actually take things seriously and go light on the snark. I approve.
  2. Kottke – This is sort of like saying you like The Beatles. But I do like the Beatles! Kottke has had the best links for years.
  3. Warren Ellis – Warren Ellis writes comic books and is a filthy, filthy man. Read with caution, and don't look at any link he prefaces with "What is best in life?" unless you're already a hardened BME reader. (And if you don't know what I'm taling about, you really don't want to click on those links).
  4. Tor– relatively new effort by a science-fiction publisher to correct online for the slowly-dying offline science-fiction magazine market.
  5. Waxy – If Kottke is The Beatles, Waxy is The Rolling Stones.

And to go with that, I sampling of new blogs for 2009 — we'll see which ones I'm still reading in 2010.

New blogs for 2009

  1. Grognardia – Talks about roleplaying games (the paper pencil and dice kind) within the context of reviving "classic" RPG gaming, like early versions of D&D. Strangely compelling, assuming you are still or ever have played roleplaying games.
  2. Homegrown Evolution – Authors of The Urban Homestead, this blog is (mostly) about how to live more sustainably in an urban environment. There is much discussion of chickens.
  3. Brazen Careerist – Blogs about life & business are usually dull and almost always say safe things that sound like things you should say. Penelope Trunk is not dull and not safe.
  4. AASCII – Jason Scott runs Textfiles.com (recording the history of BBSs) and has interesting things to say about computer history, social media online, and the preservation thereof.
  5. SFist – Local San Francisco news and links. This is much a sign of my discontent with the San Francisco Chronicle as anything else.

Asimov, Robots, and War

First, this post is total Adam Nash bait.

Today's Fresh Air had on P. W. Singer, author of Wired for War: The Robotics Revolution and Conflict in the 21st Century. It's a pretty discussion on a number of fronts, including technical, ethical, policy, and even interface design issues. (Apparently, for example, the military based designs for some of their controllers on X-Box controllers, reasoning both that the video game manufacturers had done a bunch of ergonomics research for them, and that they could save on training costs since the typical military recruit would come "pre-trained" on such controllers.)

Isaac.Asimov02
But my ears really perked up when they started discussing the Three Laws of Robotics. For the rusty, that would be Asimov's laws of robotic behaviour, first included in his 1942 story Runaround:

1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2. A robot must obey orders given to it by human beings, except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

Singer and Terry Gross talked about how quickly those laws break down when applied to warfare — since we already have semi-autonomous machines capable of taking lethal action out there, for example. I'm not sure Asimov ever tried to apply, or meant to apply, those laws to war — probably time for some rereading on my part. They did mention one slightly more sinister model: Ed 209.

That scene seems slightly less funny now that a South African military robot killed 9 people and wounded 14 because of a software glitch. That sort of thing starts making me think more of Skynet or, if you prefer less dorky time travel with your sinister future robots, Fred Saberhagen's Berserker series, in which self-replicating machines attempt to exterminate all life in the universe.

I'm definitely going to pick up Singer's book, but also revisit Manuel De Landa's War in the Age of Intelligent Machines, written in 1991 and using early examples of the usage of robotics technology in the Gulf War (as well as much earlier examples, going back to the Renaissance.)

Decluttering my digital inboxes

I'm a loose Inbox = 0 adherent. (If you don't know what I'm talking about, you can read plenty about it here.)

As an example, my personal email inbox is currently at 3, and my work email inbox is at 10. This is pretty damn good for me, and I've spent a chunk of 2009 so far getting to this happy place. Of course, those aren't my only inboxes! There's the physical mail inbox, of course, but recently my attention has been forced to include inboxes from Twitter, Facebook, LinkedIn, Flickr, Livejournal, and Delicious. The inconsistency of how they handle messaging — and how I handle messaging from each source, which is in turn based on a mishmash of factors from quirks of their UI to the social nuances of who I'm connected to on each platform — means that I haven't been able to route all of those usefully into one box, so lo, there are many boxes. All of those currently set to 0, as part of the same New Year's … I can't quite say resolutions, because I haven't fully articulated them yet, but New Year's impulses. I'm also not counting on staying in this happy place, because life happens and you can't spend all your time making things unbold.

(On the other hand, I'm nowhere near as bold as Danah Boyd on the inbox front. I am full of admiration for her approach, however.)

And then there's my feed reader. I'm a happy Bloglines user, and I'm reasonably content with it — the recentish redesign removed some of the clunkiness, and at the time I made my fateful RSS Reader decision (do you know where you were when you decided on a RSS reader?) it was a pleasure to use a non-Google product because it was demonstrably better than the Google product. I understand that the tables may now have been turned, but I don't want to know about it. I'm a feed addict, and the thing had become a source of stress — too many feeds unread for too long, all that boldness taunting me with missed content. So, I'm in the middle of a huge revamp. The first step was ditching many feeds that I don't like, don't read often enough, or post too frequently. The second was adding a few — sparingly — that I want to follow in the new year. The third, and longest, is taking all of the pinned articles (and I had 1000+ of those) and either reading them, deleting them, or tagging them in Delicious. (I'm rapidly approaching the crazy person tier of Delicious users.)

This all may sound a little obsessive. Actually, it is a little obsessive. But if I clear the decks enough, it will remove some nagging sources of stress in my life while allowing me to keep up with what I want to keep up with, rather than running away from it all entirely (as tempting as that sometimes is). It's the digital equivalent of taking those 300 New Yorkers you have stacked up on your coffee table and packing them off to recycling, only you actually get to keep the good articles.

Next: more exciting obessiveness with feeds and emails!

Lettuce and 2009

I'm going to try something a little different in 2009, now that this blog has been left fallow for a while. Now that the soil has had a little time to replenish itself and the pests have died down a bit, we can start again … and maybe not torture that metaphor any more than strictly necessary.

There's lettuce in my light well. Or, at least, there are lettuce seeds in my light well, nestled in about 5 gallons of organic potting soil from the Sloat Garden Center. (The one actually on Sloat.) The soil is in a self-watering container made from 5-gallon buckets, made using the instructions from The Urban Homestead (rather than the really nice video I just linked to because I only just found it). My daughter was fascinated by this process, and not just the dangerous bits with the saw and drill.

The hope is to start growing a little of our own food, even though we live in a tiny apartment near the beach. Despite my urges to the contrary, I'm trying to start small, and build up slowly to more ambitious tasks. Tasks that might involve worm poop, or chickens.

We'll see if this is the start of something, whether the lettuces actually sprout, whether this is a late-blooming manifestation of my British gardening fiend heritage, and whether lettuces alone will feed a family when the zombies come. Probably not, on that last one. Better get some more buckets.

Politics, brand, and graphic design

Excerpt from an interview with Michael Bierut on the Obama campaign’s visual brand:

The
thing that sort of flabbergasts me as a professional graphic designer
is that, somewhere along the way, they decided that all their graphics
would basically be done in the same typeface, which is this typeface
called Gotham If you look at one of his rallies, every single non-handmade sign is in
that font. Every single one of them. And they’re all perfectly spaced
and perfectly arranged. Trust me. I’ve done graphics for events –and I
know what it takes to have rally after rally without someone saying,
"Oh, we ran out of signs, let’s do a batch in Arial." It just doesn’t
seem to happen. There’s an absolute level of control that I have
trouble achieving with my corporate clients.

Facebooked

Fbkd_1Sometimes the difference between thinking about design and having design happen to you hits you in the face. This happened to me yesterday — I’ve followed the launch of Facebook’s Beacon program and ensuing controversy, and had seen screenshots of the feature, but had never seen it in the wild. Yesterday I was printing out tickets from Fandango for Sweeney Todd (quick review: well done but not for the squeamish and/or those recovering from the flu) and this little creature popped out at me (with a nice transition animation). Suddenly the theoretical was real, and frankly a little jarring.

My immediate reactions:

  • I noticed this, in a way that I would never see much similarly positioned pop-up ad crap. This is probably a combination of the smoothness of the animation and the clean design — I’m not sure if I immediately clocked that the message was from Facebook, but the design definitely cued "Not an ad."
  • I knew what it was. Unclear if I would have without being pre-informed, but it is pretty clearly messaged.
  • It was shocking in a way I didn’t expect — it’s one thing to intellectually grapple with the implications of a thing and another to actually be shocked by it. Apparently on some gut level I didn’t expect my personal habits to be (potentially) publicized in this context, even while I’m in the industry and know at a different level that it’s possible.

Fbkd_2At this point I was dragged out of the house by my wife, who wanted to make sure we didn’t let the process of design inquiry make us miss the movie. Afterwards, we talked it over and I thought a little more about my reactions, and also checked out the Facebook side of the interaction.

My slightly more considered reactions:

  • What is happening is pretty clearly messaged but what to do about it is not — it feels like they’re got disclosure down reasonably well, but the copy sets a pretty aggressive "this is hapening but you can make it stop if you must" tone that I’m not comfortable with, and which ends up being confusing (e.g. the uncheck-the-box-and-hit-OK opt-out interaction, which is a classic way to muddle folks up). I’m not sure whether this is intentional aggression or cluelessness.
  • Movies are actually a pretty good area for a feature like this — letting other folks know what movie I’m going to fits in well with the continuous partial attention-feeding nature of Facebook, Twitter, and etc., and they have a lot fewer downsides than other areas Beacon covers (movie-going is pretty low-risk from a privacy standpoint, and is less likely to ruin a surprise gift than broadcasting product purchases). If it had been, say, a book purchase, my negative reaction might have been even stronger.

So, not that last word on Beacon, or even my last word, just an interesting (to me) experience.